"The End"

FEBRUARY 4, 2011

FOCUS: EVERYONE (THAT THEY COULD BRING BACK)
EPISODE: 6.17
AIRED: MAY 23, 2010

Well, I was right: “The End” works a lot better on an emotional level once you know the difference between the two timelines. The “sideways” reunions are ALL touching, not just Juliet and Sawyer’s (the only one that really worked for me on the first viewing), and the island stuff is more exciting when you know what’s really at stake. However, this second view made me notice a lot of problems that weren’t as apparent the first time around.

For starters, good GOD is it in overdrive. Shit happens so fast, it feels like the writers had 3 minutes to plan for it, not 3 years. The plot moves so fast, they actually have Desmond going down in a well without any sort of plan (I love the idea that Locke and Jack are sending him down together. Lot of cooperation in their plan to kill each other), and all of the action in the finale revolves around taking out a thing and then putting the thing back in (was Lost just a giant dick joke?). I mean, really, what did they think would happen when he took the cork out? Why didn’t he just put it back in himself? It’s a really clunky concept to build the bulk of your series finale around. I hate ticking clocks and such, but Jesus, at least that would have been SOMETHING to grasp onto. Jack and Locke’s fight is also way too quick, and Ben returns to hero pretty much in between commercials (I don’t buy his sort-of explanation either – “I didn’t know you meant literally destroy the island”? What the fuck else would he mean?). I like that he saves Hurley, but it seems uncharacteristic from how he was behaving 10 minutes earlier. He also gets free from being pinned under a log without any explanation. I could go on and on, but the episode lacks finesse from start to finish, as if it was the scripts for 4-5 episodes condensed into two.

It’s got a lot of sloppy errors too. Whoever was in charge of the digital sailboat apparently figured Kate and Sawyer were better-than-Olympic swimmers – not only is it extremely far out when they are trying to get to it, but it seems even FURTHER out when they get off of it later! Why would they drop anchor so far out when they’re on an extremely tight time table? Frank says they got an hour; it seems like their boat ride alone would be an hour’s ride, not even counting the swim. Crash the fucking thing on the shore!

And nice job with the stunt doubles too:

The sideways stuff is also rushed, but that’s not as problematic, because we can assume that now that everyone is figuring shit out, they’re not restricted by real world logic. For example – Jack’s kid apparently just disappears. He’s with Claire at the party, but disappears as soon as she goes into labor. Juliet goes back to the hospital, and Jack goes to the party looking for him. So where is he? I guess he’s gone, because his never really explained plot purpose has been resolved, or something. But again, it’s not real, so it’s not really an issue.

And what should be a really powerful scene between Jack and Christian (love that Kate, of all people, finally points out how silly his name is, by the way) is hampered by Jack acting completely out of character in order for Christian to explain everything to the audience. Everyone else just “got” it, but Jack has to ask if he was real (huh?), and then Christian, apparently prepared, explains everything with the subtlety of a hammer. “You’re real. Everyone’s real. Everything that happened is real!” He might as well have looked into the camera. And then he goes on and on about how the most important thing he did was fuck around with these people on a magic island. Sort of a dick thing to say to a doctor, really.

Also, I had to laugh, because Rose and Bernard were invited along, despite the fact that they repeatedly expressed the fact that they didn’t want anything to do with these folks. Hell, at the beginning of the episode they more or less plan to throw Desmond to the wolves so they don’t have to get involved. Now they’re stuck with them forever, and you know they will figure out some way to “start shooting each other” even in Heaven. Yet Miles, Daniel, Charlotte, and Lapidus, all of whom had much stronger connections and bonding adventures with them than Rose and Bernard ever did, are left behind. Ditto Richard, who if memory serves was never even seen in the flash sideways world, unlike everyone else (even villains). I won’t even get into the absent characters who were MIA due to their actors refusal/inability to come back (little late to recast, which was my suggestion for the past but wouldn’t work for a single wordless scene in the finale). Thanks for carrying Sawyer across the island to save him, Eko, but you can’t come!

As a Kate/Evangeline Lilly fan, however, this is one of the greatest episodes of all time. I love when she just opens fire at Locke out of nowhere, and that she’s the one to save Jack instead of one of the guys (I figured Ben would come to the rescue). Also, holy SHIT her black dress – remind me to buy the costume designer for the show a drink or two if I ever run into him/her. I also hope that if I’m ever confused about my afterlife, someone who looks like her will be my guardian angel helping me get where I need to be, promising to wait for me and such (also, hey – EvANGELine – good foresight, casting folks).

It’s also a pretty funny episode. Jin’s amusement when Sawyer comes to talk to them kills me; he’s totally charmed by Sawyer’s cluelessness. I also love Terry O’Quinn’s performance when he wakes up and Jack starts doing his angry/stubborn Jack thing, he’s trying so hard not to laugh, like “Oh, Jack, I missed you, you easily irritated prick!” They also have some fun with the meta stuff; in addition to mocking Christian’s name, I love that Locke/MIB gets to join in the fun for once by mocking how Jack was the “obvious choice” to take Jacob’s place. Speaking of which – what’s up with Jack simplifying the ritual? Jacob had wine, a Latin blessing, etc – Jack just makes Hurley drink some filthy water out of a plastic bottle. I guess it’s his rules now?

I also never noticed how short Claire was. When she’s walking to the concert, not only is she dwarfed by Juliet, but even the 12 year old David has a good 6 inches on her. And while we’re on the subject of the concert – I was hoping the DVD would have a deleted scene of Charlie and his brother having one last talk, but nope. Liam’s role here is basically a background extra. More rushing!

But really, nearly every issue I had with the episode was expunged by seeing this again:

Hahahaha that is just so damn awesome. I also love his “LOOOOOOOOOCKE!!!” beforehand. The rain just makes it even more perfect. After getting such a savage beating by Sawyer at the end of last season, it’s a pretty good comeback for Jack’s image.

Well, anyway, that’s it. I didn’t hate the finale, and I’ve gotten over the lack of answers on certain aspects (Walt, the pregnancy stuff, even more recent things like Ilana’s history), but it wasn’t as epic a finale as the show deserved, and it certainly shouldn’t have taken two viewings to feel emotional about 90% of the emotionally-charged scenes. I mean, the Prison Break finale – THAT delivered. All of its characters were given a true coda (come on, not even ONE scene of the folks on the Ajira plane after they land? What does Richard do? Why don’t Kate and Sawyer get together? Etc), the death of its main character was truly sad, and the way his death brought everyone together was far more touching. It also had a bit of the rushed feel that this had, but they also had I think 7-8 episodes to plan for it – not 3 seasons.

As for Season 6 as a whole, like most of the seasons (all of them except the first, really), it worked better on a second, back to back viewing, but in a different way. Usually it’s because the cliffhanger/serialized nature of the show just lends itself to watching over 2-3 weeks instead of 6-9 months, but in this case it actually made SENSE this time around, allowing me to care about the island story knowing it was real, while having the information that only some of the characters were privy to on the sideways world. But part of the fun on Lost is the reveals and surprises, and obviously most of those (Locke is Smokey! They WERE brought to the island for a reason! Richard doesn’t age because he uh, didn’t want to!) I got the first time around, rendering that sort of stuff less exciting or intriguing. So I guess I APPRECIATED this season more a 2nd time around, but didn’t necessarily find it more entertaining (or less annoying, in the case of the Temple episodes). And I’m STILL unsure if it or 5 is the weakest season.

As for the SHOW as a whole, well, obviously I still love it. I wouldn’t have done this if I didn’t want an excuse to watch it all over again. Yeah I have lots of nitpicks and issues, but I can nitpick about Halloween (how’d he get the mask before he robbed the store?), my wife (girl can’t even make a cheese sandwich without turning the kitchen into a disaster area), or Bat Out Of Hell (um... actually I have no nitpicks with Bat Out Of Hell. It’s only 7 songs long instead of 700, I guess?), too. The point is, nothing is perfect. I know folks who decided that they hated the show from start to finish because of their disappointment with the finale, and that I find quite silly. It provided me hundreds of hours of entertainment over 6 years, influenced a few of my literary choices (“Third Policeman” – read it!), and unlike other shows I invested myself in, it never got AWFUL (X-Files, Heroes, etc).

Plus, I didn’t know who the hell to pick for my "freebie" prior to September 22, 2004 (my wife's is Ryan Gosling), because I had never seen Ms. Lilly in anything of significance before then. So thank you, Lost. For whatever you may have got wrong over six seasons, you got that much right.

Namaste!

PLEASE, GO ON...

"What They Died For"

FEBRUARY 3, 2011

FOCUS: JACK, LOCKE, DESMOND, BEN
EPISODE: 6.16
AIRED: MAY 18, 2010

There’s a “law” of sorts, particularly for television, that states that unless we see the body, a character isn’t dead. So when Smokey “kills” Richard in “What They Died For”, I knew it was BS, just like I was pretty sure Lapidus wasn’t dead (though things were a bit grimmer for him since we at least saw his body hit the floor). You can fool me with the timeline and other nonsense, but you can’t fool me into thinking someone is dead when they’re not, Lost!

Actually a lot of the island stuff is kind of dumb in this one. I really hate how Widmore goes out, simply being shot moments after arriving on the main island. Especially at the hands of Ben; while I understand the “poetry” of it (for lack of a better word), Ben’s random return to villainy didn’t sit well with me, and since I always enjoy the idea of enemies teaming up against bigger enemies, I was hoping for more of their uneasy alliance leading into the finale. Widmore was sort of a 2nd main villain on the show after Smokey – he should have been part of the finale. Points for Zoe's death though, not only is it a good shock moment, it's also hilarious that Locke points out how pointless she was. Good call, Smokey!

It also makes “Across The Sea” even more annoying, since Jacob explains all the key points anyway. Again, had thAT episode taken place at the beginning of the season, the refresher would be appreciated, but this aired a week later – we haven’t forgotten the basics. I like that Jack takes over, however, and Sawyer’s “God complex” line is hilarious – it’s the rare time I disagree with Kate (I would have laughed and shook his hand for that one, not told him to shut up). At the time, I was sort of like “Wait, this is already settled? What the hell is going to happen in the finale?”, so on a re-watch it’s actually a lot of fun – Jack’s NOT the guy after all.

The sideways stuff is a hoot though. Giacchino’s score is wonderfully frantic, particularly in the later scenes where Desmond is playing puppet master. Ana Lucia’s appearance was a nice surprise (why she wasn’t “ready”, I’m still unsure), as was Hurley’s ugly orange Camaro. I would have liked a little more with Desmond and Hurley planning things out, but I guess that would have been hard to do without giving away the big secret. One thing that’s sort of odd about the revelation is that no one seems to mind that (spoiler!) they’re dead – with the exception of Jack, they sort of take the news pretty easily.

And I love the Ben/Desmond scene. Even a second time around I thought he was going to run Locke over again, which is just hilarious. But I also like how he “wakes” Ben up, by beating the bejesus out of him one more time. I bet the makeup folks on Lost were glad it was over, knowing they’d never have to make Michael Emerson look beat up ever again. The stuff with Alex is also very sweet, and again ties into the idea of the flash sideways being a way for them to put their biggest personal demon at rest (which again is why the Sawyer and Sayid sideways stuff was largely horrible). Jack and Locke’s scene is a bit on the nose (nearly every line is a repeat of a line they have said before – Christ, why didn’t THAT wake them up?), but again, it’s always nice to see them talking as friends again. When you watch the first season, even when they disagree, there was always a mutual respect for one another, and I really missed that as the show progressed. One of the show’s biggest failings, I think, was killing Locke off without ever having one last real scene with Jack (though “The End” at least has a good line of dialogue to make up for it).

Well, that’s it! Tomorrow’s the big finale! I’m about to get 90 minutes of my day back!

Where are we?

PLEASE, GO ON...

"Across The Sea"

FEBRUARY 2, 2011

FOCUS: JACOB, MAN IN BLACK
EPISODE: 6.15
AIRED: MAY 11, 2010

There are two ways one could hate “Across The Sea”, and both are equally valid. You can hate it for being the antepenultimate episode of the series (not the season, THE ENTIRE SERIES) and spending the entire time with two cipher characters who, quite frankly, no one really cares about AS CHARACTERS (mainly because they're both dead by this point, for one thing). Or you can hate it for often being written with all the subtlety of a Friedberg and Seltzer movie, offering up god-awful dialogue like “One day, Jacob, you can make up your own game and everyone will have to follow your rules,” which is the equivalent of Obi-Wan muttering “You’ll be the death of me!” to Anakin in the Star Wars prequels.

I hate it more for its placement, for the record. As bad as the dialogue can get, it does answer a lot of questions and give certain things that happened in previous episodes a new, better meaning (such as Jacob and MIB’s first scene in the S5 finale). It’s not a GOOD episode, by any means, but I can see its purpose. But why did they have to place the episode here? All along they said that the show was about the characters, that the answers to the various mysteries weren’t important if the characters didn’t care about them. Well forgive me for assuming things about fictional characters, but I’m pretty sure Hurley and Sawyer don’t give a flying fuck about what game Jacob and MIB played with as children. I also doubt the “controversy” of who Jacob’s mother is weighs heavily on Jack’s mind. At least if all this shit was revealed at the beginning of the season, it wouldn’t have been AS annoying. By putting it here, we not only get two very rushed final episodes, in my opinion, but it also completely breaks up the rising tension from the previous 2-3 episodes.

Another benefit to putting it earlier involves the fact that they try to make the MIB into a tragic character here. He was introduced more or less as a villain, had done terrible things throughout the past season under the guise of John Locke, and basically given us no reason whatsoever to even like him, let alone sympathize with him. And NOW, with the final battle more or less already begun, they want us to reconsider his plight? If this was at the beginning of the season, that could have posed an interesting way to approach the season, as fans. Do you side with Locke/MIB, or Jack/Jacob? As we see here, all MIB wants to do is leave (when he was still human), and if we’re supposed to believe in that “all of the evil of the world will be spilled” stuff, they sure as hell don’t explain it or even hint at what that may look like in this. For all I know that’s just some shit Jacob made up to convince people to stay. So they blew a chance for interesting fan debate throughout the season by waiting until almost literally the last minute to hint that MIB might not be the real villain.

And, not for nothing, but the ONE thing they needed to explain was why the Man In Black couldn’t just kill Jacob (or vice versa), and they do so by... having the Mother say that they couldn’t kill each other. That’s basically it. Did she put a curse on them? Is it like some Terminator 2 type shit (“I cannot self-terminate”)? We see Jacob beat the piss out of the MIB twice, so it’s not like there’s some sort of protective force field or whatever – seems like Jacob could have very easily just picked him up and tossed him over a cliff. And if the idea was that even if he did that, MIB would survive (either by simply Wolverine-style healing or being “saved” by a 3rd party, a la the dynamite going out when Richard tried to kill himself), then they should have showed a scene like that for it to be more clear. Nope, Mother just says so. Great explanation, guys.

I also don’t care much for any “back-story” that requires its own back-story. Where did their birth mother come from, and where was she going? How did Mother arrive on the island? Or the “Others”, for that matter? Who decided she would be in charge of the Urine Cave and how did she come to understand what it did? Hell, where DID she get that stupid game? The whole episode is designed to provide answers, but it does so in a very inorganic and rather clunky way; reverse-engineered from what we already know (again, like Star Wars) and rather poorly so.

Well, whatever. It’s not like I’m the lone voice of dissent on this one. Way to make me hate the idea of spending a good chunk of the episode with the awesome Titus Welliver, Lindelof/Cuse (who provide a commentary on the episode but due to time constraints I’ll have to skip it – originally I planned to listen but alas, I’m too behind on other stuff).

Where are we?

PLEASE, GO ON...

"The Candidate"

FEBRUARY 1, 2011

FOCUS: JACK, LOCKE
EPISODE: 6.14
AIRED: MAY 4, 2010

I don’t recall why there was a week off in between “The Last Recruit” and “The Candidate”, but it works in its favor for a second viewing. A lot of Lost works better in back to back, but this episode in particular has a really sad moment that was totally killed by the confusing flash sideways stuff. So not only did I enjoy the episode more this time due to having just watched the one before it, I also got to be sad when two of the more beloved characters perished.

I guess I should preface by explaining my original theory for the flash sideways world. My belief for pretty much the entire season was that when the hydrogen bomb went off, it created two timelines: one in which the characters magically got transported back to 2007 instead of dying in a massive explosion, and then another where Jack’s plan worked and the plane never crashed. And I never contemplated the specifics, but the idea was that everyone had to die in the rather grim Island timeline in order to correct whatever issues might arise in the “sideways” (happier) timeline. In retrospect it doesn’t make a lot of sense, but it was my idea anyway. Thus, when Sun and Jin died, I didn’t really find it too sad, because I *knew* they were alive in the other timeline anyway. Ditto for Sayid, but in his case I didn’t really care because they had already killed him at the beginning of the season and turned his character into an incoherent mess.

I mean, really, why did he turn good again? Was it simply Desmond asking him what he was going to tell Nadia when she asked how she came to be alive again? If he’s been “claimed” by some sort of infection, would the simple words of a Scottish dude he barely knows be enough to kill that darkness inside him? I like that he went out a hero, but he also went out as a major plot hole, in my opinion.

But anyway, now that I know it’s real, I did find Jin and Sun’s death to be pretty damn sad. That “Life and Death” piece from Michael Giacchino would give me sad chills even if it was playing over a shot of Clark Griswold punching an animatronic moose, so as soon as it kicked in I could feel the sadness, and this time around the tears did fall. I wish it wasn’t so clunky (what the hell is trapping her, anyway? It looks like three railings? And how did an explosion on the other side of the ship cause that much irreversible damage?), but I guess I shouldn’t complain – the better written it was, the more upsetting it would be. Same as Charlie’s death, which could have been avoided entirely anyway, but was also foreshadowed for an entire season (as was Jack’s, to some degree). Really, Juliet was the only one to ever get a good death scene that wasn’t played for shock value, I think.

Another issue I had concerns Anthony Cooper (funny note – Kevin Tighe’s credit appears as his name is mentioned for the first time in the episode. Nice bit of synchronicity), who in this timeline had a good relationship with Locke. I buy that Jack can have a son and Sawyer can be a cop, because everything changed from a moment that occurred when they were very young, but how did Cooper and Locke end up being close when he abandoned Locke’s mother before he was even born, long before 1977 (when the timeline changed due to the bomb)? Again I guess you just got to chalk it up to the fact that none of this actually happened and it’s some sort of metaphorical series of events designed for the characters to get over their biggest personal demon (which for Locke would be his shattered relationship with his father), but it’s inconsistent with the basic logic of trying to present it as a real, possible world. Though, maybe they figured since the next episode would just be a giant waste of time and thus they only had three hours left to explain the sideways world (actually half that since those episodes had a lot of Island stuff to cover as well), they had to start dropping hints.

Speaking of inconsistencies, I had to laugh when Jin refused to take the oxygen bottle after Jack told him he could make it without it. “No, you can’t, Jack,” Jin tells him, but he totally could. As I pointed out yesterday, Jack is one hell of a swimmer – he got through the cave/tunnel/temple whatever to the bomb in S5 without any problem, and just yesterday he swam from the middle of the ocean back to the island in fairly quick time while wearing a backpack. Not only could he have made it, he probably could have had time to go back and help try to free Sun. He totally missed his calling.

I didn’t notice the first time around, the episode once again depicts the writers’ fairly casual approach to killing people who weren’t necessarily bad (and/or the characters’ approach to letting them perish). Both the sub captain and his mate don’t seem to be killed when the bomb goes off, but no one bothers trying to save them. Hell they don’t even seem to care about Lapidus (I also noticed a bit of irony – there was a first aid kit behind him; if they had found it they might have all died since Jack’s pack never would have been opened), who is assumed dead for this and the next episode, but without any fanfare. No wonder they all went to heaven together, these 815ers are the most cliquey bunch of assholes in the world. I bet they had to have some sort of mental staff meeting to vote on whether or not Penny and Desmond would be allowed to come along.

For all my nitpicks, it’s a good episode though. The action’s fun (love Locke just picking dudes off on the dock), it puts most of our characters together for pretty much the last time, Sawyer and Jack sort of make up, and the flash sideways story is above average, particularly the sweet scene of Jack and Claire at the law office (“You’re family.”). It’s the last “relaxed” flash story too, so, you know, respect. From here on out it’s all crazy running around fake LA stuff.

Tomorrow... *sigh*

Where are we?

PLEASE, GO ON...

"The Last Recruit"

JANUARY 31, 2011

FOCUS: EVERYONE
EPISODE: 6.13
AIRED: APRIL 20, 2010

Thank you, “previously” recap, for replaying the hilariously “sexy” version of Sawyer’s trademark “Son of a bitch...” from “Recon”, since I forgot to mention how awesome it was in my writeup for that episode. One thing I like about cop Sawyer, which we see more of in “The Last Recruit”, is that he has the same back-story as Sawyer, but lives very much like “Lafleur” – he’s in a authority role, he’s charming, he’s partnered with Miles, and he has a penchant for sunflowers. Maybe it would have been exhausting for the writers, but I wish they could have done this with ALL of the characters – most, like Kate, are pretty much exactly the same.

Anyway, despite the lack of a character focus, which is usually a red flag for Lost, this is a pretty good episode. Sawyer finally gets in a good nickname for Lapidus (“Chesty”), Jack and “Locke” finally meet and have a chat, there are more casual murders, and Sawyer seemingly trusts Jack again, or at least, doesn’t want to kill him. But it also brings folks together – the bulk of the cast share a scene together for the first time in ages (since the camps split early in S4, I think). The big reunion between Sun, Jack, Locke, Hurley, Kate, Sawyer, Sayid, and Claire (save Jin, the only main cast 815ers that are still alive, basically) isn’t exactly emotional – Locke making a joke about it doesn’t help – but it’s still good that they all met up, now that there’s only 4-5 hours left.

But the big reunion is Jin and Sun, FINALLY seeing each other at the very end of the episode (and then held at gunpoint seconds later). Again, the flash sideways sort of deflated the emotion of this scene – I’d argue that their reunion in S2 after only 8-9 episodes was more touching and tear-worthy. Course, the cynic in me causes part of that problem; Sun says “I never stopped looking for you”, but Jin doesn’t have any real response because he sure as shit stopped looking for her – taking up English and working for Dharma for 3 years without doing a goddamn thing about it (not to mention it was the swinging 70s and he didn't have his wedding ring... just saying, maybe Jin took advantage of his "unfortunate" situation).

The sideways stuff in this episode isn’t as successful (that’s where the lack of a character focus hurts). I like certain scenes (Kate dressing down Sawyer, Jack’s son hinting that he doesn’t want to go back to his mother’s right away, etc), but it just feels like a lot of loose end filling and getting folks closer to meeting up without actually doing so, which was fine the first time around but now I know that it’s literally just a lot of time-killing. The timeline is also a bit wonky (Jin and Sun got attacked only a day or two after landing, but we’ve seen enough of Locke to make at LEAST a week’s worth of events – yet they arrive at the hospital at the same time), but I guess that’s fine since this is a sort of dream world and thus susceptible to such things. They didn’t all die at the same time in the real world, so the timing already doesn’t make any logical sense. Just go with it.

Also, Jack is a hell of a swimmer. They’re pretty far out when he jumps off, but he makes it to shore fairly quickly based on the available light, and he did so with a loaded backpack. Good for him. I bet he could have saved that Joanna woman in S1 after all! Fucking Boone.

OK, tomorrow’s the key reason I wanted to watch these again! Anyone want to guess why?

Where are we?

PLEASE, GO ON...

"Everybody Loves Hugo"

JANUARY 30, 2011

FOCUS: HURLEY
EPISODE: 6.12
AIRED: APRIL 13, 2010

One of the final (maybe even THE) final traditional “centric” episodes of Lost, “Everybody Loves Hugo” is also one of the more depressing ones to re-watch once you know (spoiler – I forget if I need to point that out) that none of the flash sideways stuff ever actually happened. The opening scene depicts Hugo Reyes as an extraordinarily generous man, opening schools and hospitals and related facilities and generally being an enormous benefit to society and possibly the world. And none of it’s true. Hugo’s just a rich dude who likes chicken.

But he’s also (again, spoiler) the future protector of the island, and again we see him really stepping up in this episode, dictating their next moves and even getting Jack to open up about his failures as a leader. I mentioned before that the first time Hurley got involved with this sort of stuff it felt awkward, and it still kind of does – he spent so much of the series just being a comic relief sort of “B” character, it’s a bit odd to see him barking orders and such. Some have suggested that by making Hurley the protector, it was the writers’ way of saying that the show now completely belongs to us (as Hurley was often our voicebox, saying aloud the things that the writers got in fan feedback), and perhaps that’s true, but if it was part of their plan all along I think they were afraid of tipping their hat too early or something, because his stepped up role really does come abruptly.

Luckily, it’s Hurley, who everyone loves, and thus it’s OK. If Claire had suddenly become the leader, it would be atrocious – she’s a dull, largely pointless character. But Hurley? We can get behind that. His goodwill even extends to those he has to share scenes with; if anyone else had delivered the “I feel like we’re on the date we never had” line besides Libby, I think folks would be throwing their remotes through their TV screens. But you feel for the big lug, and so it’s easier to let such glaringly on-the-nose writing pass. To be fair, there are some good lines in this one – I particularly like “How do you break the ice with a smoke monster?”, as well as his description of the way ghosts communicate with him (“the people who come back and yell at me after they die”).

One thing I noticed – Flash Sideways Hurley doesn’t seem to care about the numbers as much. Not only did he never mention the “coincidence” of it being flight 815, or baggage carousel 4, or Desmond’s chicken number being 42, these things didn’t even seem to register on him. I guess he was just as sick of them forcing them down our throats all the time too.

And I like that this episode opens up the idea of Desmond being some sort of puppet master for them to all get back together. He goes into a greasy chicken place while dressed in a nice suit just to convince Hurley to find Libby, and then he apparently follows them to make sure their date occurs. And from there he drives to a school and runs over Locke (AWESOME scene by the way), because he knows somehow that it will bring him together with Jack. Good way to make up for basically leaving the guy out of the show for the past season and a half.

I had forgotten about Ilana’s Arzt-like death in this one. Again I’m not sure if this was an actor availability thing or what, because two episodes prior they had introduced the idea that she was badly injured at some point – why bother working that in if they planned to kill her off two episodes later? But it’s a good shock death all the same, raising the stakes a little and evening the sides out a bit (Ilana was pretty much the only badass on Team Jacob; Team MIB boasts Sayid, Sawyer, (possibly) Kate, axe-wielding Claire, and the goddamn smoke monster). Also, I don’t think I’ve mentioned it – Zuleikha Robinson is quite lovely to look at, particularly her stunning eyes. Someone get her on another show.

Five episodes to go! So many deaths and afterlife reunions that would have made me cry the first time around if I knew what the hell was going on...

Where are we?

PLEASE, GO ON...

"Happily Ever After"

JANUARY 29, 2011

FOCUS: DESMOND
EPISODE: 6.11
AIRED: APRIL 6, 2010

After making a brief, almost unrecognizable appearance (due to the low light and being roughed up), Desmond finally makes a true return in "Happily Ever After", after being M.I.A. since the season premiere. According to his IMDb, Henry Ian Cusick has not made any feature films since Hitman, which was made 3-4 years prior, so I am baffled by his lengthy absence. But nothing I can do about it, and at least he returns in a good episode.

As usual with Desmond, the flashes are presented atypically; instead of cutting back and forth between the sideways world and the island throughout the episode, the flashes are presented all in one group. And it's one of the better sideways adventures, because it gets the "ohhhh, neat!" moment out of the way early (Desmond happily working for Charles Widmore and being told he's worthy of his MacCutcheon, a total reversal of the real world), and then gets to the meat of the tale: starting to explain the sideways world! The Eloise scene makes a lot more sense now, and is even somewhat touching - she doesn't want her family members to "move on", so she's perfectly fine with Desmond losing Charlie (I'd argue that if she wanted to prevent our heroes from meeting up she wouldn't have arranged for DriveShaft to come in the first place, but whatever).

And you can never go wrong with a Desmond and Penny scene. Why she has to be running a tour de stade, I'm not entirely sure, but it's a nice scene all the same. Plus, once again Desmond gets to "conscious travel", seemingly waking back up on the island with memories of the sideways world, and is thus now willing to help Widmore (and then Sayid) without any resistance, because he knows in the afterlife he'll be with Penny, which is all he cares about. Again, this only makes sense NOW, but that was one of the main reasons I wanted to do this - re-evaluate Season 6 in quick succession with the other seasons, but also with the answers at my disposal (at least, the ones I still remember), so I'm not watching it in confusion the entire time.

Then again it does raise other questions. Since Daniel is apparently the first one to sort of understand what is happening to him, how come he doesn't get to go to Lost Heaven with the others and be happy forever with Charlotte? Both actors were in the final episode, so it's not like Eko, who didn't get to come because his actor was demanding too much money. I toyed with it being only 815ers who got to go (Miles and Frank don't get to come either, I guess), but Juliet and Penny ARE there, and they weren't on the plane (hell Penny never even went on the island). I really don't get the mentality of whoever made the guest list for this place.

Bad Los Angeles geography also makes a comeback in this one, at least based on my assumption. I assumed that the stadium was near Jack's hospital since he came still wearing his scrubs, and Jack's hospital is in West Los Angeles. But Penny and Desmond arrange to meet nearby at the coffee shop at Sweetzer and Melrose. First of all there is no coffee shop there, but it's also a good 15 minute drive away - there has to be closer locations. I wouldn't care, but the show's production offices were in LA (Burbank, actually), so it always tickled me how bad they were with the geography. However, once they get there and realize there's no coffee shop, maybe they'll decide to go to a movie, and thus end up at the New Bev, which is only a mile or so from there. If George the limo driver "knows all the hot spots" he should know about it.

Well, only 6 to go! 5 if you discount that one thing. I'm so excited about getting 90 minutes or so of my day back!

Where are we?

PLEASE, GO ON...